Jan 20, 2011NEXT CHAPTERso, after successfully making the noisy part of the instrument, it’s time to consider the “acoustic context” in which this piece could exist in a future Venice and propose a set of architectural consequences… models, drawings and sounds to come…
so, after successfully making the noisy part of the instrument, it’s time to consider the “acoustic context” in which this piece could exist in a future Venice and propose a set of architectural consequences… models, drawings and sounds to come…