In anticipation of the delivery of my squeezy instrument, I decided to model and explode a bagpipe in detail. In addition to the bagpipe, I also started to investigate the anatomy of an aneroid barometer. In short, I am interested in the notion of an instrument (for both acoustic performance and measurement) as a piece of architecture – I am specifically interested in “instruments” which respond to changes in air pressure…

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RMA transcript

This talk is a reduced version of a paper that I wrote, which presents a categorisation of interactions between space and sound, as a guide for creative practitioners and as a way of improving the way

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